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柏林愛樂《帕西法爾》音樂會

拉圖指揮柏林愛樂

柏林愛樂每年一度在德國巴登巴登節慶劇院的歌劇演出,經過完整排練與演出後,照例返回柏林愛樂廳演出兩場音樂會形式。2018年四月6日、8日兩場由拉圖指揮,Stuart Skelton、Nina Stemme、Franz-Josef Selig、Gerald Finley、Evgeny Nikitin...等當世一線華格納歌手擔綱演出。

時間 : 2018/04/06(週五) 17:00~17:00

地點 : 柏林愛樂廳

來源 : 夜鶯基金會編譯


夜鶯基金會編譯

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演出資訊:

Sir Simon Rattle (conductor)

Stuart Skelton (tenor)
Nina Stemme (soprano)
Franz-Josef Selig (bass baritone)
Evgeny Nikitin (bass baritone)
Gerald Finley (bass baritone)

Iwona Sobotka (soprano)
Kiandra Howarth (soprano)
Elisabeth Jansson (mezzo-soprano)
Mari Eriksmoen (soprano)
Ingeborg Gillebo (mezzo-soprano)
Kismara Pessatti (mezzo-soprano)

Rundfunkchor Berlin choir
Simon Halsey chorus master

< Introduction > 
Parsifal's message of hope? Even winter journeys come to an end.
Life comes with its wounds that we must learn to live with – this is what makes Wagner's Parsifal such a deeply human work. No opera before it had ever been so far-removed from entertainment. Instead, the composer suffuses his expressive language with pain: when Kundry cries out like a wounded animal; in Parsifal's outpouring of regret at the wasted years of his life; in the hate harbored by Klingsor, the outcast. With bells and trombones, Wagner holds masses for them, penetrating to the wintry depths of their souls before celebrating Good Friday, when the first flowers burst into bloom. In this opera the Berliner Philharmoniker have ample opportunity to draw upon their special strength: the unique individuality of each musician which colors every sound. This is what truly makes the difference – especially in this complete merging of orchestra, singers, and drama that is unique in opera and that Wagner achieves to a level of perfection unparalleled in any other work.

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